Role: Post Producer/Supervisor
Client: DoorDash
Production Company: Miketeevee + Superheroes NY

Director: Juliana Piscina

For DoorDash’s launch of DashPass for Students, I led a talented team of animators, designers, and creatives to create 10 unique spots, as well as a myriad of cutdowns and resizings for usage on broadcast, web, and social.

Role: Post Producer
Client: Experian
Production Company: Miketeevee

Producer and supervisor on a series of Experian spots featuring real customer testimonials for digital and TV broadcast placement. Oversaw the edit, graphics, sound, and finishing for each commercial.

Role: Post Coordinator
Client: Experian
Production Company: Miketeevee

Supported producers and partner vendors on final media delivery for broadcast and digital distribution. Oversaw graphics replacement, platform resizing, media management, and OTT delivery encoding.

Role: Producer
Client: Cedar
Production Company: Magnet Media

For Cedar’s ongoing video branding engagement with Magnet Media, I lead one of our first shoots since the beginning of the pandemic to successfully produce a collection of semi-scripted interviews. Our biggest focus outside of the presenter content was visual fidelity, so I worked with our DP to invest in the proper coverage and equipment to bring that extra flair. On the post-side, I directed our edit and animation teams in covering a huge array of cuts and detailed MGX to turnaround finals ahead of schedule.

Role: Producer and DP
Client: JP Morgan
Production Company: Magnet Media

For JP Morgan’s second season of Women on the Move podcast, I set off to Davos, Switzerland in January 2020 with heavy Pelican cases to capture interviews with top women business leaders and thinkers at the World Economic Forum.

In my role I covered both producer responsibilities as well as camera and DIT, covering three cameras and making copies in a fast-paced, cramped environment., The result was a massive success with over a dozen episodes produced in under three days.

Seasons 3 and beyond moved remote amidst the pandemic, so my role as producer shifted to running remote recordings on virtual platforms and managing all tech and logistics.